franz ferdinand take me out live on fuse

Franz ferdinand take me out live on fuse movie#

It’s a song we don’t really play much in Europe, so it’s great to come over here, and play a different set in the U.S.A. We always get to play “When Smokey Sings” and “Be Near Me,” which was a big hit for us here. What’s the format of these anniversary concerts?įry: We’re doing a whole collection of the ABC catalogue, so we don’t play the whole of “The Lexicon,” but we play a substantial part of it with a six-piece band. “Who broke my heart?” “You did, you did.” “Bow to the target, blame Cupid, Cupid.” Universal things I think. They really have fancied somebody and they didn’t fancy them. With “Poison Arrow,” it’s a song about unrequited love, so fortunately for me, there are many people in the world who’ve also shared that same experience. Sometimes there’s a very emotional connection to the music. It’s stunning, and you feel that when you’re on stage and you look out into the audience. People have very moving and sentimental stories, and memories around music. I’m not gonna quote them to you cause they say, “I met my first wife” or “I did this” and “I did that.” There’s some pretty vivid images they portray to you. What types of reactions have you received?įry: Believe me, as the years roll by, people do say the strangest things. It’s a wonderful feeling to play it live.įry: No. “The Look Of Love” is probably our most popular song and every act needs a song like that. It’s a great tradition where the lead singer just kind of talks to themselves. I always liked it when James Brown would start talking midway through a record. But that was inspired by a record he made with Iggy Pop called “Turn Blue.” It’s a great record. In the end, I did a little speech, “Martin, maybe one day you’ll find true love,” which has haunted me ever since. We didn’t want to put a sax solo in, so he suggested that I keep putting in messages on an answering machine for somebody who wouldn’t pick up for me. I think he definitely helped it on our way. Making a record is a very exciting thing, but for us to have met Bowie in that period, it was also very exciting. It definitely enhanced the whole experience when you first start out. In my mind, I think he sprinkled a bit of his magic dust, his “Ziggy Stardust” onto us. We were just this fledging band from Sheffield making our record, “The Look Of Love,” and he sat in on the session and made a few suggestions. I think those flavors are in the air now, so in a way, that suits us when people hear our music.Ĭan you dive into what it was like making “The Look Of Love”?įry: When we were recording, Tony Visconti had the studio and David Bowie came down to the recording session. Originally, we came out of the punk rock era and we wanted to make music that was a fresh mixture of dance music and pop. The public are kind of attuned to that feeling of melodies and big choruses. When you listen to an artist like The Weeknd, he’s influenced by some of the elements that were around back in the day.

It’s the digital age we live in now, but back then, there was a lot of experimentation and forward thinking. Now you can do pretty much everything on your phone.

Synthesizers and beatboxes were all brand new. I think a lot of the ‘80s music it was a very experimental time and there was a lot of new equipment coming through. Why do you think the material still holds up?įry: A couple of things really. But for people who remember those songs, that’s a great feeling. It’s nice to celebrate something like that because a lot of records have come out in the subsequent period. It just feels like yesterday, and funny enough, when we’re up on stage playing “All Of My Heart,” “Poison Arrow” and “The Look Of Love,” it feels nice and fresh. They said it was a good idea to go out and tour the 40th anniversary. Somebody said to me it was 40 years and I did not believe them.

Franz ferdinand take me out live on fuse movie#

In advance of those occasions, Fry connected with Chicago Concert Reviews to discuss the project’s ubiquitous singles, “The Look Of Love” and “Poison Arrow,” his deep reverence for the local house scene, getting personal stamps of approval from David Bowie, Smokey Robinson and Stevie Wonder, along with a massive movie moment that got away.ĭoes it feel like it’s been 40 years since “The Lexicon Of Love” came out? Midwest music lovers have two chances to catch the suave singer and the rest of the English group, including a stop at Milwaukee’s Summerfest on Friday, July 8 and the Des Plaines Theatre on Saturday, July 9, both of which will celebrate the 40th anniversary of their breakout debut album, “The Lexicon Of Love.” No act of the 1980s embodied slick pop sophistication more than ABC, who’s original front man Martin Fry is still leading the band with a voice dipped in buttery soul and some of the sharpest, sparkling suits imaginable.